Posts tagged ‘Guest Post’

Guest Post – Gillian Polack ‘The Places of My Novels’

Today I have a special guest post by Gillian Polack.

Gillian is going to be touring us through the wonderful places that her novels are set in. Get ready to travel!

The places of my novels

Gillian Polack

I love novels where place is a character. Where I can walk the street in my mind and see what the other characters are seeing. This means that I try my best to write that kind of novel myself.

In The Wizardry of Jewish Women, this was a bit harder than usual, for there were four places and they were all important.

Sydney was the home to one of my major characters, Judith. It was where she had moved when she had to run away for her own safety. I had to build the Sydney that a woman with a child would remember and then build a new life on. Judith is someone who built new lives for herself and for others, so her Sydney is inner city and she works close to home. She and her children have favourite places, and I chose just one of them to represent all of them.

sydneyTo build her Sydney and to create her home, I asked my Sydney cousin for help. She knew that part of Sydney, even to how loud one had to be to be heard upstairs and how narrow a house became towards the back.

How well did we create this locality? A couple of years ago I visited some Sydney friends and stayed with them. As I walked down the street I recognised it. It was a street I half-remembered and had used for Judith’s story. A cosy street, close enough to the city and the university and to Newtown for a feminist to live and grow and create a new life. They didn’t live in the same house as the one I created for my characters, but in one just down the road. I walked up their stairs and felt “I got this right.”

Canberra was easier. I live in Canberra. I had to give it a character that fitted two of my major characters, however, not one. They don’t live near each other and neither of them live in my corner of Canberra.


There were three tricks with writing Canberra.

The first is to make it come to life. Canberra has its own stereotyping in Australian culture, and it’s regarded as a dead city. Boring. A blemish on the face of Australia. Pretty, but dull.

I’ve said often that Canberra is a palimpsest city. It has so many stories and colours underneath that plain surface layer. What I do when I write Canberra, then, is look under the surface and bring out what lies beneath. It’s only boring if the characters find it boring.

The second was to avoid what I’d written in other novels. I’ve based several novels in Canberra and am likely to use it again, because its palimpsest nature makes it wonderful as a setting. I can be true to it and still make the Canberra in each novel quite different to the Canberra in the novel before. I do this by looking at my characters and seeing how they would live in Canberra and what aspects of that palimpsest they would interact with.

The third was writing the big events. So many of the Canberra parts of the story used real events. I had to be careful to be accurate and not to hurt the people who’d suffered from some of them. I had to make sure that the events themselves were seen from inside and not from a newspaper’s report.

Melbourne was easier. It was seen through the eyes of one character. Her Melbourne was the place she left when she ran. This means she experienced a city from about fifteen years ago, through the eyes of someone who’d seen it fifteen years before and whose memory was laden with tears. The character of Melbourne pretty well wrote itself for this novel.



The last place was Ballarat. I built this city’s personality bit by bit.

I’ve never lived there, unlike the other places. I visited there often when I was a child, and my mother and I did a research trip to see it as a potential setting. I have a photo album that I used, and a lot of history that I’ve read over the years. It was all done externally, however. I examined a range of things: streets, buildings, archives, statues, stories about the city and had to ask myself “What character does this place have? How can I get my characters to see it?” The answers to these questions led to the part of the story set there. It’s not the Ballarat I remember as a child. It has its own flavour. This is what I was after. It’s what I’m always after when I write places into my fiction.

Gillian Polack writes, edits, researches and even teaches in in Canberra, Australia. The Wizardry of Jewish Women, Ms Cellophane (both novels) and History and Fiction (definitely not a novel) have been shortlisted for awards. The Wizardry of Jewish Women is being re-released by Book View Cafe in August 2017. She has edited two anthologies (one of which was also shortlisted for an award) and has seventeen short stories published (one of which actually won an award and four others of which were listed as recommended reading on international years’ best lists).  She has a PhD in Creative Writing and one in Medieval History. URL: Facebook: Gillian Polack Twitter: gillianpolack

All photos are copyright of Gillian Polack

New Tara Sharp Novel ‘Sharp Turn’ Released

Award-winning author Marianne Delacourt has just unveiled the new look for her action-packed crime series Tara Sharp and a rewrite of the gripping second novel Sharp Turn. Under the crime imprint Deadlines, this version of Sharp Turn is published by Twelfth Planet Press, an advocate of women’s voices in science fiction, fantasy, horror and crime genres and a natural home for Delacourt. The re-release offers new and revised material for fans of Tara’s exploits, but retaining the humour, peril and paranormal flavour of the original release.

The latest in her series of ‘funny, sexy, smart crime novels for men and women’, Sharp Turn sees Tara’s unconventional PI business evolving, and she’s attracted some interesting customers.  With her dryly humorous take on the world, Tara is expected to both charm new audiences and delight old fans this winter, as she confronts a shady job in the high octane world of the motor cycle industry. Luckily, Tara is better equipped than most, with the uncanny ability to read people’s auras. Armed with a vanilla slice and backed up by her pet galah, Tara is about to come head-to-head with some very dangerous characters.

Book One in the Tara Sharp series, Sharp Shooter was the 2010 winner of the Davitt Award for Best Crime Novel and nominated for the Ned Kelly Award 2010 Best First Crime Novel. Expect the release of Book Three Too Sharp and Book Four Sharp Edge in early 2017.

Author MARIANNE DELACOURT says, “Tara is a protagonist who really grows with her readers. To begin with, she’s an outgoing Australian girl who’s never really taken responsibility for herself. Her unusual gift puts her in some risky situations and through her tenacity and resourcefulness she comes out on top. The series shows her learning how to find a meaningful way to use her gift, while trying to maintain normal relationships with the people around her. She’s just trying to make a living, stay alive, and keep her sense of humour.”

Praise for the Tara Sharp series:

“Australia’s Marianne Delacourt delivers the laughs and action with her sassy, unorthodox PI Tara Sharp…” The Herald Sun

“Tara Sharp is a gust of fresh air in the local crime fiction scene. While it is wonderful that our more literary crime writers are finally getting the attention they deserve, there’s still plenty of room for fast-paced commercial female-oriented Australian crime fiction. And Marianne Delacourt (aka sci-fi writer Marianne de Pierres) has certainly nailed that brief.” The Australian Bookseller and Publisher

“Delacourt has invented a Stephanie Plum character who is just as ballsy and loveable but this one lives in Perth and has two pet Galahs instead of a hamster. An easy read with multiple story layers, Sharp Turn will keep you guessing till the end, pick it up this summer if you like Janet Evanovich and Val McDermid’s Blue Genes.” She Said

Sharp Turn is available now from Twelfth Planet Press. Book One Sharp Shooter is available from Twelfth Planet Press and from Amazon.

Author MARIANNE DELACOURT is the alter ego of award-winning, internationally published Science Fiction writer Marianne de Pierres. Renowned for dark satire in her Science Fiction, Marianne offers lighter, funnier writing under her Delacourt penname. As Delacourt, Marianne is also the author of Young Adult fiction series Night Creatures (Burn Bright, Angel Arias and Shine Light). She is a co-founder of the Vision Writers Group and ROR – wRiters on the Rise, a critiquing group for professional writers. Marianne lives in Brisbane with her husband and two galahs.

Australian Publisher TWELFTH PLANET PRESS is a Perth-based publisher, seeking to challenge the status quo with books that interrogate, commentate and inspire. While showcasing the depth and breadth of Australian fiction to a wider audience, Twelfth Planet Press aims to and provide opportunities for fiction written by female writers, raising awareness of women’s voices in science fiction, fantasy, horror and crime genres.

Guest Post – Deb Sheldon – Devil Dragon







Today on Tales From The Scribe, I have author Deb Sheldon as a guest. Deb is dark fiction writer from Melbourne. Her latest book is called Devil Dragon and it looks fantastic! If you are interested in horror, monsters, and of course Australia – then this is the book for you. Give me a message if you would like to review or host an interview with Deb on your blog.


From to inspiration to completion: how I wrote Devil Dragon

devil-dragonBack in late 2014, I was making headway into the horror genre after a few years of publishing crime fiction. I had just learned that Kaaron Warren, guest editor of Midnight Echo magazine, had accepted my short story, Perfect Little Stitches, for publication. That sale boosted my confidence tremendously. Perfect Little Stitches had supernatural elements; for my next story, I wanted to feature a real, flesh-and-blood monster set in Australia. But what kind? The obvious subjects – sharks and crocodiles – didn’t interest me.

So I delved into our natural history and explored the Megafauna age. Prehistoric Australia was occupied by huge beasts like something out of a nightmare. Ducks the size of emus, the precursor of the emu three metres tall and weighing over half a tonne. And then the apex predators, chief among them Varanus priscus: a huge Komodo dragon.

Hooked, I decided to write a short story set in modern-day Australia starring a living Varanus priscus.

Except that the more I researched, the more plot possibilities I found. This was by far the most research-intensive tale I’ve ever written. I jumped from one fascinating piece of information to another. The learning curve was so steep as to be almost vertical: I spent weeks learning the ins and outs of hunting, firearms, Komodo dragon biology and behaviour. I discovered that the Australian bush teems with dangerous, feral animals. How could I resist including wild boars in my story, when they can grow to over 200kg and would kill you as soon as look at you? By December 2014, Devil Dragon had asserted itself as a novel.

The plot centres around Dr Erin Harris, a scientist who has an unscientific obsession: to find a living Varanus priscus. Cryptozoologists call it the Devil dragon. This giant Australian reptile became extinct some 12,000 years ago but like Bigfoot or Nessie, there are occasional sightings. Spurred by a credible witness, Erin cobbles together an expedition party consisting of herself, the witness, and his deer-hunting neighbours. They travel into the unexplored heart of a national park. Erin, believing the Devil dragon to be a larger version of the Komodo, is confident she can outwit a specimen. However, the monster that lumbers out of the bush is a savage and unpredictable predator the size of a campervan. Erin must transform herself from genteel university lecturer to die-hard survivalist.

Though I loved every minute of the writing process, creating the Devil dragon itself was the most fun of all. There is scant information on the actual Varanus priscus, so I created my own monstrous version. However, I wanted it to be as realistic as possible within the novel’s fantasy framework. I turned to various experts, including herpetologists, who checked my manuscript for technical accuracy and offered valuable suggestions.

The novel has suspense, action and gore, but it is Erin’s character arc and her relationships with the three members of her expedition that tie the story together. Thematically, Devil Dragon is about intellect versus physicality, ambition versus humiliation, rationality versus fear, and humanity versus the brute force of nature.

Erin will do anything – risk everything – to find a living specimen of the reptile that has been her enduring fixation. She knows that finding the Devil dragon would be more important than the discovery of Archaeopteryx (a dinosaur with feathers), the missing link that bolstered Darwin’s theory of evolution. New species are found all the time – insects and fish, in particular – and no one but experts gives a damn. But the entire planet would go crazy at the discovery of a living, breathing 10-metre killing machine with a mouthful of teeth like butcher knives. Erin wants fame, immortality, to rewrite a chapter of reptile palaeontology – and to put to rest, finally, the ghost of her dead father, a mean drunk who begrudged her any success and gloated at her failures.

But things don’t turn out the way Erin wants or expects…


Deborah Sheldon is a professional writer from Melbourne, Australia. Her short fiction has appeared in well-respected magazines such as Quadrant, Island, Aurealis, Midnight Echo, SQ Mag, and Tincture Journal. Her work is also found in various anthologies. Upcoming titles include the crime-noir novellas, Dark Waters and Ronnie and Rita, the horror collection, Perfect Little Stitches and other stories, and the contemporary crime novel, Garland Cove Heist. Other writing credits include television scripts such as Neighbours, stage plays, magazine articles, award-winning medical writing, and non-fiction books for Reed Books and Random House Australia.

Visit Deb at Sign up for her monthly newsletter and receive a free ebook of literary short fiction, 300 Degree Days and other stories.




Silk Road Memoir

I am sharing this post with permission from David Farland


You may have heard about the Silk Road scandal in Time magazine, Wired magazine, or any of a hundred other places.

Curtis Green took a job working for a company called Silk Road, where (unknown to Curtis) his boss, nicknamed “Dread Pirate Roberts,” was trafficking drugs over the internet.

When the FBI and the DEA got wind of it, they set Curtis up in a sting operation, staging a drug bust using planted evidence.

When Curtis’s boss found out about it, he hired a hit man to cover his trail, but the FBI found out about it and staged Curtis’s assassination. The Dread Pirate Roberts got two life sentences for his crimes, but the story wasn’t over.

The FBI and DEA agents that were investigating the crimes decided to steal millions from Silk Road.  Now they’re also in prison.

Curtis wants to tell his story and clear his name. He needs your help!

Please watch the  Youtube Video Curtis has created all about his book ‘Silk Road – A Memoir.

The webpage to help is HERE


Guest Post – Gillian Polack – Truth and Lies

I am hosting Gillian Polack on my blog in the lead up to her new book ‘The Wizardry of  Jewish Women’  Please give her a warm welcome *clap clap clap clap*



Truth and lies

Readers have been playing guessing games with my novels for a while. I began by inventing everything. Right from the beginning, the readers of Illuminations assumed that the novel was about me and that events were real. Except they weren’t. The whole novel was invented.

Alas for humanity, for I’m an unredeemed stirrer. The moment I realised that most readers think that I write about reality, I started sneaking bits in. With Ms Cellophane and with The Art of Effective Dreaming, there are real incidents. Sometimes they’re things I experienced and sometimes they’re borrowed from friends. I challenged readers to guess which bits of the novel they were. No-one has so far got it right unless they were part of the event, in which case they laugh at me and say “I was there.”

My personal favourite error was when someone said “I know what’s real. The incident at the Murrumbidgee. That’s real.” This would be the moment when one of my characters swam naked in the Murrumbidgee (a local river) and was arrested. Me, I’m very self-conscious and seldom wear anything that could be called revealing even with a very stretchy imagination, so even paddling naked is unlikely. Swimming at all is impossible, for I can’t. So that’s an invention, complete and wholly fake.

Since it’s such a fun thing to do (at least for as long as it takes for readers to work out what’s what) I’ve done it again in my new novel, The Wizardry of Jewish Women.

In the interest of fair play, I’ll give you a head start. Two episodes, two hints.

There is a particularly splendid garden in the novel. One to make poets weep and artists dream. This garden is based on a friend’s. She is an amazing gardener and her garden in Canberra was the inspiration for Belinda’s garden in Canberra. I can’t tell you which of the various aspects of its story are real (for that would spoil things), but one most certainly is. This one is possible to deduce from the events, however. And that’s your hint.

The incident where Rhonda goes to Parliament House actually happened. It was an amalgam of three different events from my mad past. The senior politician who sat on the stone table was based Carmen Lawrence sitting on that same cold table. I can’t say who the other politicians were, because they’re amalgams of several who I met very briefly on different occasions. Some of that sequence actually happened, therefore and some most definitely did not.

None of the characters in my novel are real. I took the stone table incident from that occasion with Lawrence (where I was wearing a top that had holes in – ask me what really happened sometime) but I didn’t even try to give her personality to the politician in the novel.

This novel may have events inspired by real life incidents, but the people are all invented. This is how I manage to make events that look real and yet have them fit in the story. The Wizardry of Jewish Women has more borrowed events than most, but every single one of them has been reshaped to fit the characters in the story. No matter how much truth there is in them, they’re all lies.

Gillian will be launching ‘The Wizardry of Jewish Women’ at Readings, Hawthorn on the 5th of September at 6:30pm. We would love to see you there! If you can’t make it but would have liked to get a personally signed copy then please email Tarran on obiwankenobi31[at] hotmail {dot} com or you can pre-order a copy from Satalyte Publishing here

Guest Post – Much Ado About Love- Nicole Murphy

Today we have a guest post from the lovely Nicole Murphy, who also writes as Elizabeth Dunk.


Nicole writes speculative fiction as well as contempory romances. If you haven’t checked out her Gadda books, then you must!


Todays post is all about Nicole’s new book ‘Much Ado About Love’ which is an imaginative reworking of the famous play ‘Much Ado About Nothing’.


Why I love Much Ado About Nothing

I admit it – I’m one of those wackos who loved Shakespeare at high school. I got it – you didn’t worry about what each individual word meant, you dove into the story and it was there, clear as day. As I got older, I came to adore the language too, but actually the way many of us were taught Shakespeare teaches a salutary lesson about plays – they are meant to be consumed when performed, not read.

When I got my own house, and started developing my own library, I got a copy of Shakespeare’s plays and sonnets. I don’t read it, but it’s there for me to turn too when I want to check things out, or remind myself about things. Instead, I consume my Shakespeare visually – mostly in film. I adore many of the straight plays (eg Elizabeth Taylor and Richard Burton in Taming of the Shrew – talk about chemistry!). I love remakes of them, whether it sticks to the text like Baz Lurhman’s Romeo and Juliet or completely adapts them, like Ten Things I Hate About You.

Several years ago, I was deep in a Keanu Reeves crush (we’ve all been there) and I decided to buy the DVD of Kenneth Branagh’s filming of ‘Much Ado About Nothing’. Not only did I discover one of my favourite films of all time, Much Ado became my favourite Shakespeare play. Here’s why:

  1. The dialogue is so, so clever. ‘I wonder that you will still be talking, Signor Benedick. Nobody marks you.’ ‘What, my dear Lady Disdain, are you but living?’ ‘Is it possible disdain should die, while she hath such meet food to feed it as Signor Benedick?’ The moment Beatrice and Benedick start exchanging barbs, you can’t help but be enraptured

  2. It’s very funny. The whole plot to make Beatrice and Benedick love each other is brilliantly done, and I must say that the two films I’ve seen of it (Kenneth Branagh and Joss Whedon) did these scenes brilliantly. Laugh out loud funny they are. Full of physical comedy.

  3. It’s got a great villain. Don John is completely evil. He has no compunction with ruining people’s lives, just to pay his brother back for liking them more. A good villain is worth their weight in gold.

  4. It’s got great comedic characters. Dogberry and Verges are there solely for the laughs, and they do it brilliantly. Particularly when played by actors such as Michael Keaton or Nathan Fillion. These are the types of characters that no nuance is required for – throw yourself in and ham it up. Brilliant.

  5. It’s got tension and horror. The audience knows that Hero is innocent of the accusations against her, but will Claudio and Don Pedro work it out? Will Claudio and Hero make up? Will Benedick actually shoot Claudio? Shakespeare has made you care for these characters, then he tears it all up. Brilliant storytelling.

  6. It’s got a masquerade ball, complete with mistaken identities. When Beatrice, pretending she doesn’t know she’s talking to Benedick, tears him a new one – ah, you gotta love the girl. Masquerade balls are the bomb.

  7. It’s got a fascinating theme – for me, Much Ado About Nothing is about love. There’s several types of love studied in the story – love at first sight (or thereabouts), long acquaintances falling in love, love between friends, love between relations. What makes people love each other? What can destroy love? Is love really the be all and end all of everything? Much Ado About Nothing poses some interesting questions and puts forward some fascinating answers about love.

I’ve worked a lot of these elements into my adaptation of the play, Much Ado About Love. There’s a great villain. A masquerade ball. Awesome barbs between Ben and Trix. Tension and horror. No Dogberry or Verges though, I’m afraid.

I hope readers will love my version of Much Ado About Nothing as much as I do the original. Thanks, Will, for everything.


Much Ado About Love

Much Ado About Love

Opposites attract—but that doesn’t mean the road to happy-ever-after runs smooth…

Trix Leon and Ben Anthony have two things in common—they don’t believe in love and, together, they set the sheets on fire. Their relationship is safe, uncomplicated, and just what they both need—until John Aragorn shows up and gives them a third thing in common: an enemy.

When their friends decide it’s time for Trix and Ben to admit to themselves—and each other—how they really feel, Trix and Ben are caught in a whirlwind of emotion, a promise of something more. But Aragorn is determined to destroy everything: Trix’s hard work, her future, and her chance at something more with Ben.

Now Ben and Trix are left fighting for the one thing that neither of them knew they wanted: love.

If you’d like to learn more about the wonderful books that Nicole has written then please head over to her website and have a look!

Nicole Murphy Official Website




%d bloggers like this: